Experiential campaign proposal  ·  Prepared by Otium Media for Sotol Romo  ·  July 2026

Sotol Romo in Los Angeles

One dinner, two locations, and a content engine built to carry it. An offline and online campaign that introduces sotol to one of the most affluent dining audiences in Los Angeles County — and turns a single evening into a season of assets.

Venue partner: Yume Sushi Bar Guest chef: Elvin Park Market: Los Angeles Window: Q4 2026

The premise

Sotol Romo has proved the placement works. It went onto the list at Nobu Downtown in its first American summer, alongside Bazaar Meat, the Waldorf Astoria and PDT. What New York has not yet given the brand is a repeatable format — an evening that can be documented, cut, distributed and run again in the next market.

That is what Otium Media is proposing to build and execute. A single ticketed pairing dinner at a fine-dining venue whose guests already buy on provenance, wrapped in a content and paid-social program with a guaranteed impression floor. The dinner earns the credibility. The campaign carries it to the rest of the market.

Objectives

What this campaign is built to do

Five outcomes, each with its own deliverable and its own measure. Nothing here is brand awareness in the abstract.

  1. Land the LA market

    Put the brand in front of a prime demographic in one of the largest spirits markets in the country.

  2. Borrow the right room

    Partner with a fine-dining venue that already reaches affluent consumers, so the audience arrives pre-qualified.

  3. Build the pairing menu

    A designed progression from Blanco to Reposado that proves sotol belongs at the table, not only on the back bar.

  4. Produce the content

    A shoot built into the evening, generating a library that sells the category and not just the bottle.

  5. Guarantee the reach

    Creator partnerships and paid amplification against a contracted impression floor.

The market

Why Los Angeles, and why this corner of it

A $79 bottle in a category most consumers cannot yet name needs a room where price is not the objection. The Calabasas trade area is the strongest such room in the county, and it is measurable.

$165,288

Median household income, Calabasas — ACS 2024

1.7×

Calabasas against the Los Angeles metro median of $95,958

$103,325

Per capita income — 2.2× the metro figure

$200k+

The largest single household income bracket in the city

Median household income

U.S. Census Bureau · ACS 2024 5-year estimates

Calabasas$165,288
California$99,122
LA metro area$95,958
United States$80,734
Per capita income tells the same story more sharply: $103,325 in Calabasas against $47,931 across the LA metro area — a 2.2× gap. This is discretionary spending capacity, concentrated inside a five-mile radius.

Category momentum, and why the small base is the opportunity

IWSR · 2023 data release

Sotol volume, 2022+17%
Agave spirits, 2022+13%
Agave CAGR 2017–22+9%
Sotol CAGR to 2027+6%
Sotol grew faster than the agave category that carried it, but from a base a fraction of mezcal's — which is why category education, not share-of-voice, is the job. These figures come from a 2023 IWSR release and should be refreshed with a current cut before this deck goes to a media buyer.

Audience

Where the two audiences already sit on top of each other

SOTOL ROMO’S TARGET CONSUMER YUME’S GUEST BASE ULTRA-PREMIUM AGAVE DRINKERS MEXICAN SPIRITS EARLY ADOPTERS LUXURY RESTAURANT LISTS NATIONWIDE SAKE AND JAPANESE WHISKY DRINKERS VALLEY AND WESTSIDE LOCALS ENTERTAINMENT INDUSTRY SHARED $150K+ INCOME AGES 35 TO 55 BUYS ON ORIGIN READS THE LABEL ONE DRINK, SLOWLY

Directional. Built from census income and age data, Yume's stated trade area and Sotol Romo's published positioning — not from panel research.

The shared middle is the pitch

Neither audience needs to be persuaded that a spirit can be worth $79. Both have already accepted that premise — one through agave, the other through sake and Japanese whisky. What the overlap gives the campaign is a room full of people who buy on purity and origin, being handed a spirit whose entire argument is purity and origin.

  • Same purchase logic. The reasoning behind junmai grading — nothing added, nothing to hide — carries straight over to 100% Puro, additive-free. This is a guest who reads the label.
  • Same price tolerance. A guest who orders a rare sake flight does not flinch at a premium pour.
  • Same occasion. Omakase-style dining is low-volume and high-check — one considered drink, ordered slowly, rather than a round.
  • Different acquisition value. Yume's guest is a consumer Sotol Romo is not currently reaching through any luxury on-trade account.

The venue partner

Yume Sushi Bar

Two locations under one operator, secured in one conversation. Otium Media manages the venue relationship, the culinary collaboration and the night itself.

Location one

Old Town Calabasas

23536 Calabasas Rd — the dinner venue

Yume — Japanese for dream — is a modern reading of traditional Japanese cuisine with an emphasis on intentional sourcing. The Calabasas location launched the group's first cocktail program and is presented by its own team as a nightlife destination, not just a dining room.

  • Bespoke Japanese-inspired cocktails, rare sake and Japanese whisky
  • Private events with custom layouts, full bar service and dedicated staff
  • Stated trade area: Hidden Hills, Bell Canyon, Agoura Hills, Topanga, Malibu
  • Signature dishes already aligned to the pairing: kanpachi crudo, miso black cod, kushiyaki

Location two

Studio City

12254 Ventura Blvd — the follow-on listing

The original Yume, and a second, entirely different audience. Studio City sits inside the entertainment corridor, which is where a brand already fluent in Davos, Cannes and Super Bowl week gets the most out of a back bar.

  • Reach includes Universal City, Burbank, Toluca Lake, West Hollywood and Beverly Hills
  • Global sake list — a guest base already trained to buy on provenance
  • Open seven days for lunch and dinner, both locations
  • Carries the program forward after the Calabasas dinner as a standing listing

The guest chef

Elvin Park

A Korean-American chef who has built his practice around exactly the question this dinner asks: what happens when Asian technique meets Mexican ingredients and neither one is wearing a costume.

Chef Elvin Park in black chef’s whites at a stone counter, placing a micro herb with chopsticks onto one of eight plated sashimi and roll courses.

Chef Elvin Park at the pass  ·  plating service

Background

Park was born and raised in New York and trained at the International Culinary Center before being recruited into Eleven Madison Park — three Michelin stars, and voted the best restaurant in the world by The World's 50 Best in 2017. He then spent years traveling to learn cuisines and techniques firsthand, staging pop-ups in six countries and cooking privately for clients along the way.

He now runs Fusion Lab Test Kitchen in Tulum, his own studio, built around a chef's counter where guests sit inside the process rather than in front of it. Its stated purpose is to combine his Korean heritage with Mexico, his adopted home. That is not a positioning statement written for this campaign. It is what he already does.

  • TrainedEleven Madison ParkThree Michelin stars · World's 50 Best No. 1, 2017
  • EducatedInternational Culinary CenterNew York City
  • TraveledPop-Ups in Six CountriesPlus private client work internationally
  • NowFusion Lab Test KitchenFounder and chef · Tulum, Mexico

Why he is the right chef for this room

The dinner

Two acts, six moments, one spirit in three forms

Developed by Otium Media's culinary and programming lead with guest chef Elvin Park, to be finalized in tasting sessions with Yume's kitchen.

The objective is to position Sotol Romo as one of Mexico's most refined and elegant spirits, and to show that it pairs naturally with high-end Japanese cuisine. Unlike tequila or mezcal, it leads with herbal, mineral, citrus and earthy notes rather than smoke or intensity — so the menu is paced to reveal that rather than announce it.

Guests meet the spirit three ways across the evening: in cocktail form, integrated into a dish, and served neat alongside food. The progression opens bright and citrus-forward on Blanco, then moves into warmer, richer, umami-driven courses for Reposado.

The beverage program is built around four tasting moments: two signature cocktails and two neat pours, Blanco before Reposado, so guests feel each expression evolve alongside the food.

Intensity progression across the evening

Otium Media culinary programming

ACT I · BLANCO ACT II · REPOSADO SCALLOPNIGIRI KANPACHICRUDO BLANCONEAT SEA BASSSKEWER KUSHIYAKI+ TSUKUNE BLACK COD+ NEAT REPO HIGHLOW

Scroll to see the full progression →

Weight, richness and umami rise steadily; the spirit follows. The Blanco chapter closes on the sea bass skewer, which is deliberately the richest Act I course and prepares the palate for Reposado.

Act I

Sotol Romo Blanco

Fresh, bright, citrus-forward, delicate.

Course one

Scallop Nigiri

Yuzu kosho

The opening introduces the freshness and elegance of the Blanco through food and cocktail at the same time.

Signature Blanco cocktail

Course two

Kanpachi Crudo

Yuzu-ginger aguachile

A refined Japanese reading of aguachile that draws out the citrus and herbal qualities of the Blanco, and shows the spirit working inside a dish rather than beside it.

Sotol Blanco in the dish

Interlude · after course two

Blanco, Neat

Poured after the first two courses

Guests revisit the spirit on its own, having already met it in cocktail and culinary form. The neat pour lands as recognition rather than introduction.

Neat tasting

Course three · transition

Chilean Sea Bass Skewer

Ume · salsa matcha · chives

A richer course that closes the Blanco chapter and prepares the palate for the deeper characteristics of the Reposado.

Bridge course

Act II

Sotol Romo Reposado

Warm, rich, umami-driven.

Course four

Mushroom Kushiyaki & Tsukune

Charcoal, char and savory depth

The added richness and umami let the deeper notes of the Reposado become expressive without overpowering the spirit.

Signature Reposado cocktail

Course five · final

Black Cod

Miso, or a zarandeado-inspired glaze

Where Japanese technique and Mexican coastal flavor meet on purpose. The richness of the fish gives the dinner an elegant close and shows the depth of the Reposado. Final preparation to be developed by Chef Park with Yume's culinary team.

Reposado, neat

Optional

Two Guest Bartenders

Invited from Mexico City

Each develops one signature cocktail for the evening — one Blanco, one Reposado — exclusive to the event. It adds a collaborative story and a second content thread without changing the concept.

Add-on module

On fusion. The menu stays true to Yume's culinary identity. Where Japanese-Mexican influences appear, they appear because they improve the pairing — not for their own sake. This is the discipline Chef Park already works to, which is the reason he is on the project. The zarandeado black cod is the clearest example: a Mexican coastal technique applied to a dish Yume already owns, landing exactly where the Reposado is strongest.

Content and amplification

The dinner is the shoot

One evening, captured properly, supplies a full quarter of content, and a guest chef gives that content a protagonist. Production is built into the run of show rather than bolted onto it, so nothing is staged twice and nothing interrupts the guest experience.

How one night becomes a season

Otium Media campaign architecture

STAGE 01 THE DINNER Live, ticketed, one night STAGE 02 OWNED ASSETS Film, stills, recipe cards STAGE 03 CREATORS Paid partnership posts STAGE 04 GUARANTEED IMPRESSIONS Contracted floor STAGE 05 PULL-THROUGH On-trade and retail ASSETS AND LEARNINGS CARRY INTO THE NEXT MARKET

Scroll to see all five stages →

Stage four is the commercial commitment: Otium Media contracts to an impression floor rather than selling estimated reach. Stages one through three exist to make those impressions worth buying.

Capture

  • One director, one DP, one stills photographer for the full service
  • Hero film, 60–90s, cut for brand and trade use
  • Vertical cutdowns sized for Reels, TikTok and Shorts
  • Course-by-course stills, plus bottle and cocktail hero frames
  • Interview capture with Claudia Romo Edelman, Chef Park and the bartenders

Distribution

  • Brand partnership posts across Sotol Romo, Yume and Otium marketing partner channels
  • Optional 3–6 creator partners in food, spirits and LA lifestyle
  • Paid amplification behind the strongest organic cuts
  • Optional Trade and local press outreach around the event date
  • Recipe cards and a pairing one-sheet for distributor use

Guarantee

  • Contracted impression floor: TBD — to be set with media plan
  • Make-good in additional paid spend if the floor is missed
  • Third-party verified reporting on paid placements
  • Creator deliverables specified by post type and usage window
  • Full asset licensing assigned to Sotol Romo in perpetuity

Figures with a dotted underline are placeholders pending the media plan and the final venue date. Items tagged Optional are priced as add-on modules and can be removed without affecting the core scope. Impression guarantees should not be published until the paid budget and creator roster are confirmed.

Measurement

What gets reported back

Each objective has one number attached to it. Otium Media reports against all five within 14 days of the event.

TBD

Guaranteed impressions delivered against the contracted floor

TBD

Seats filled and guest profile at the dinner

TBD

Assets delivered — film, cutdowns, stills

2

Venue listings live after the event, Calabasas and Studio City

TBD

Earned press and trade placements

Depletion and reorder data sits with the distributor rather than with us, so it is not something Otium Media can guarantee. What we can do is instrument everything upstream of it and hand the distributor a market that has already heard of the category.

Scope

What Otium Media executes

Programming

  • Venue negotiation and contracting at both Yume locations
  • Guest chef engagement, contracting and travel for Elvin Park
  • Menu development with Chef Park and Yume's culinary team
  • Cocktail development, including the optional Mexico City bartender module
  • Run of show, staffing and guest list
  • Staff education session framed through sake purity grades

Production

  • Full creative direction and art direction
  • Crew, equipment and on-site production management
  • Post-production, edit, color and sound
  • Photography retouching and asset delivery
  • Design of printed menus and table collateral

Campaign

  • Media plan and paid buying
  • Creator sourcing, negotiation and compliance
  • Press and trade outreach
  • Reporting against the five objectives
  • Playbook for repeating the format in the next market

Indicative timeline

From signature to reporting · dates TBC

  1. Week 1–2

    Lock the night. Venue contract, date, seat count and budget confirmed. Media plan built and the impression floor set.

  2. Week 3–5

    Build the menu. Chef Park in residence for tasting sessions with Yume's kitchen and bar. Two signature cocktails finalized. Creator roster confirmed.

  3. Week 6

    Pre-production. Shot list, run of show, crew booked, press embargo set, printed collateral to production.

  4. Week 7

    The dinner. One service, full capture, guest and trade list in the room.

  5. Week 8–10

    Cut and distribute. Hero film and cutdowns delivered. Creator posts go live. Paid amplification begins behind the best-performing cuts.

  6. Week 11–12

    Report and repeat. Full reporting against the five objectives, plus the playbook for the next market.

Art direction

The look, and how we get it

Two worlds, one restraint: high desert mineral and Japanese precision. Both reward negative space, hard directional light and very little color. Every frame below is a shot on the list, not a stock search.

Plate 01

The plant

Wild Dasylirion in Chihuahuan light. Low sun, long shadow, blades in silhouette.

Plate 02

The counter

Yume's bar at service. Hands, knife, the pour. Warm tungsten against dark wood.

Plate 03

The crudo

Kanpachi and aguachile shot overhead on stone. Cold light, wet surfaces.

Plate 04

The neat pour

Blanco in glass, backlit. The bottle in frame but not the hero of it.

Plate 05

The char

Kushiyaki over coals. Smoke, ember, motion blur — the only heat in the palette.

Plate 06

The chef

Reference already in hand — see the guest chef section. Match this treatment on the night.

The hero scene

A silent loop of the dining room at service, running behind the title of this page. The bottle is present throughout and the pour is the only close-up, so the film reads as an evening rather than as an advertisement. The beats below are the spec for the final cut, shot as second unit on the night of the dinner.

  1. 0:00 – 0:03 The room Wide, locked off. Calabasas at dusk, street-side glass, warm interior against blue outside. Guests seated, plates arriving in the mid-ground.
  2. 0:03 – 0:06 The table Medium at the counter. Two guests, a sashimi plate between them, chopsticks in motion. The Blanco bottle stands in frame, sharp, uncommented.
  3. 0:06 – 0:10 The pour The only close-up. Bottle tilts, sotol runs into a small glass, backlit so the liquid carries the light. Shot at 60fps, played at 24.
  4. 0:10 – 0:13 The raise Glasses lift into the frame. Faces soft or out of frame entirely — the gesture is the subject, not the guest.
  5. 0:13 – 0:15 Return Back to the opening wide, bottle still on the table. Frame matches beat one so the loop closes invisibly.

Shot list, not a stock search. These slots take original photography captured on the night, so the treatment stays consistent across the whole library. Rights are cleared: the hero film behind the title of this page, the portrait of Chef Park and Yume's interior, cocktail and sake-pour frames are all available for use across this campaign. Sotol Romo's key visual is held in the asset folder as an alternate hero still.

Next

One night in
the Valley,
then the
whole market

The ask is a working session with Sotol Romo to set the date, the seat count and the impression floor. Yume is ready to host and the menu is drafted. Everything after that is production.

Or write directly to Adam@otiummedia.com.

Otium Media — Experiential Campaign Proposal sotolromo.otiummedia.com July 2026 · Confidential

Sources — U.S. Census Bureau, American Community Survey 2024 five-year estimates via Census Reporter · IWSR 2023 data release · PR Newswire · FSR Magazine · The Infatuation · Fred Minnick · Global Drinks Intel · Mezcalistas · venue and brand materials · fusionlab.mx for Chef Park's background. Culinary progression developed by Otium Media's culinary and programming lead with guest chef Elvin Park. Figures current as of July 2026.